Heather Taylor on Crowdfunding for <i>Pay to Stay</i> and the Importance of Onscreen Diversity

Heather Taylor on Crowdfunding for Pay to Stay and the Importance of Onscreen Diversity

“I want to have representation across different sexualities and different races in my films because that is the world I see when I walk down the streets of New York,” says NYWIFT member Heather Taylor. Katrina Medoff sat down with Taylor to talk diversity in filmmaking (both onscreen and off) as her crowdfunding campaign for her horror short Pay to Stay draws to a close. Continue reading Heather Taylor on Crowdfunding for Pay to Stay and the Importance of Onscreen Diversity

The Women’s Film Preservation Fund 2016 Grants are awarded to five groundbreaking works from the 1920s and 1970s

The Women’s Film Preservation Fund 2016 Grants are awarded to five groundbreaking works from the 1920s and 1970s

The NYWIFT Women’s Film Preservation Fund’s (WFPF’s) 2016 grants have now been awarded. The films include three shorts from the 1920’s by pioneering filmmaker Angela Murray Gibson and two important films from the 1970’s, SISTERS! by Barbara Hammer and Women’s Happy Time Commune by Sheila Paige. WFPF Steering Committee Co-Chair Ann Deborah Levy explains why these particular films are important to women’s legacy, and how you can help. Continue reading The Women’s Film Preservation Fund 2016 Grants are awarded to five groundbreaking works from the 1920s and 1970s