Women’s Stories in Film and the Need for an Authentic Ending

Women’s Stories in Film and the Need for an Authentic Ending

Why is it that when men make poignant films about a male’s coming-of-age, they are allowed to explore the pain, heartache, betrayal, danger, and the need for getting even or choosing a lesser evil to right a wrong—while women-centric films are expected to carry out a fairy tale romance? NYWIFT member Heidi Philipsen tackled this question as she made her first feature film. Continue reading Women’s Stories in Film and the Need for an Authentic Ending

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