7 Tips to Building a Successful Partnership to Create an Oscar-Nominated Film

7 Tips to Building a Successful Partnership to Create an Oscar-Nominated Film

In the inaugural conversation of NYWIFT’s new series Master Collaborations: The Power of Creative Partnerships on May 23, 2018, director Kahane Cooperman and producer Raphaela Neihausen opened up about how they worked together to create Joe’s Violin – and its road to being nominated for the Academy Awards. Continue reading 7 Tips to Building a Successful Partnership to Create an Oscar-Nominated Film

Gaia Visnar on channeling her own search for home into her character in <i>The Basis of Intimacy</i>

Gaia Visnar on channeling her own search for home into her character in The Basis of Intimacy

NYWIFT member Katrina Medoff spoke with fellow member Gaia Visnar, an actor and producer for the short film The Basis of Intimacy, which was made by a female-driven and largely international crew. They spoke about the power of a silent film and what conversations Visnar hopes to spark with the film. Continue reading Gaia Visnar on channeling her own search for home into her character in The Basis of Intimacy

The Women’s Film Preservation Fund Crosses the Atlantic with 1970s Classics of Feminist Filmmaking

The Women’s Film Preservation Fund Crosses the Atlantic with 1970s Classics of Feminist Filmmaking

A year ago, an email arrived in our Women’s Film Preservation Fund mailbox from Tamara Anderson, Cinema Curator at the Barbican Centre in London, who had discovered our 2015 Carte-blanche series at MoMA, Women Writing the Language of Cinema. Would we curate a smaller series, focusing just on Second Wave Feminist films, for their multi-arts celebration Art of Change? What has resulted, Artists and Activists: Second Wave Feminist Filmmakers, will screen as a series over Saturday and Sunday, June 2-3 at the Barbican.  Continue reading The Women’s Film Preservation Fund Crosses the Atlantic with 1970s Classics of Feminist Filmmaking

Report from Tribeca: Isabella Olaguera on AD’ing, Celeb Encounters and Breaking into the Biz at 14

Report from Tribeca: Isabella Olaguera on AD’ing, Celeb Encounters and Breaking into the Biz at 14

New Jersey-based assistant director Isabella Olaguera has worked professionally on over 50 feature films, television shows and commercials since 2010 – including an Oscar-nominated short. She has every right to brag, but she’s been keeping a big secret: she’s only 20 years old! She may very well be the youngest member of New York Women in Film & Television. Isabella discusses her work as the 2nd AD on the indie feature film All These Small Moments, a coming-of-age tale shot entirely in NYC, which premieres at the Tribeca Film Festival this month. Continue reading Report from Tribeca: Isabella Olaguera on AD’ing, Celeb Encounters and Breaking into the Biz at 14

<i>Camerawoman Angela Murray Gibson Films Herself into History, 1921-1925</i>: Marsha Gordon and Buckey Grimm

Camerawoman Angela Murray Gibson Films Herself into History, 1921-1925: Marsha Gordon and Buckey Grimm

Angela Murray Gibson, a silent era filmmaker receives due attention at Orphan Film Symposium’s line-up this April 11th – 14th, 2018 at the Museum of Moving Image. That Ice Ticket (1921), a recent NYWIFT Women’s Film Preservation Fund and Kino Lorber preservation, will screen on April 13th as part of the presentation, Camerawoman Angela Murray Gibson Films Herself into History, 1921-1925. Here, its presenters Marsha Gordon and Buckey Grimm offer some insights into this distinguishing filmmaker and her broader mark on American cinema. Continue reading Camerawoman Angela Murray Gibson Films Herself into History, 1921-1925: Marsha Gordon and Buckey Grimm

Trailblazing through the Decades: Cheryl Dunye (1990s)

Trailblazing through the Decades: Cheryl Dunye (1990s)

Twenty years ago a young artist set out to make a documentary about women like herself: black queer filmmakers. She found nothing but homophobia and omission, and then… inspiration. The resulting film The Watermelon Woman marked Cheryl Dunye’s 1996 debut – a hybrid of autobiography, documentary, and comedy. It defies categorization and was the first feature film directed by an African American lesbian. Continue reading Trailblazing through the Decades: Cheryl Dunye (1990s)

Trailblazing Through the Decades: Jessie Maple (1980s)

Trailblazing Through the Decades: Jessie Maple (1980s)

Jessie Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York. Her book, How to Become a Union Camerawoman , is an instructional guide illustrating the obstacles that she endured to get into the union. It details the court case she initiated to fight discrimination after she became a member. Continue reading Trailblazing Through the Decades: Jessie Maple (1980s)