True Crime: Relationships and Responsibilities

True Crime: Relationships and Responsibilities

There is no doubt that the “true crime” documentary genre is thriving and that such film and television projects are enjoying unprecedented buzz. Studies show that women are their biggest audience, and broadcasters are taking notice. By the nature of their work, non-fiction storytellers are always considering how to present and represent their subjects through the creative process. But how is that further complicated in the “true crime” space, when the stakes might literally be life or death? Where do they draw the line between journalism and entertainment? Continue reading True Crime: Relationships and Responsibilities

Women’s Stories in Film and the Need for an Authentic Ending

Women’s Stories in Film and the Need for an Authentic Ending

Why is it that when men make poignant films about a male’s coming-of-age, they are allowed to explore the pain, heartache, betrayal, danger, and the need for getting even or choosing a lesser evil to right a wrong—while women-centric films are expected to carry out a fairy tale romance? NYWIFT member Heidi Philipsen tackled this question as she made her first feature film. Continue reading Women’s Stories in Film and the Need for an Authentic Ending